On a green-blue ground, many figures piled vertically — mothers, children, the elderly. At the top, the profile portrait of two dark-skinned figures; in the middle, children in white shirts and figures carrying instruments; at the very bottom, a seated figure group near the ground. This takes up the same theme as the artist's 2014 'Multitude' eleven years later — the same idea at a different technical maturity. What is always present in Fitoloğlu's depictions of crowds: the figures breathe the same air but each is on their own inner journey. Dated 2025, the work is a writing of the manifesto's phrase: 'the infinite within a single moment.'